Navajo Overlay Artist Willie Yazzie

After the success of the overlay designs made at the Hopi Guild many other silversmiths and shops incorporated overlay in their designs (see Overlay is Not Always Hopi Made). Navajo trader Dean Kirk opened his own trading post at Manuelito, New Mexico (between Gallup and the Arizona border) by January 1941. The silver work made in Dean’s shop was typically Navajo tourist type designs and hallmarked UITA22 (under the auspices of the United Indian Traders Association) until about 1951. That’s when Kirk designed a series of overlay pins to be made by Navajo smiths in his employ incorporating Hohokam and Mimbres designs. These designs proved to be very popular, as a 1958 newspaper advertisement for Enchanted Mesa in Albuquerque promoted “Dean Kirk’s Navajo Overlay Silver”. The overlay pieces made at Kirk’s shop were rarely hallmarked.

Overlay pin featuring Hohokam pottery design made by Navajo silversmiths for trader Dean Kirk, 1950s.
Overlay pin featuring Hohokam pottery design made by Navajo silversmiths for trader Dean Kirk, 1950s.

However, one of the Navajo silversmiths who worked for Dean Kirk was Willie Yazzie, he made his own hallmark and used it on pieces he made in Kirk’s shop.

Willie Yazzie’s gourd dipper hallmark.
Willie Yazzie’s gourd dipper hallmark.

Much of the following information was relayed to Alan Ferg (archivist and archaeologist at Arizona State Museum) by William P. (Willie) Yazzie, Jr, in February 2018. Ferg’s investigation of an overlay belt buckle in his possession, lacking a hallmark, has led to previously unrecorded information about Willie Yazzie, as well as the identification of an additional hallmark used by the artist.

Willie Yazzie made the overlay bolo at Dean Kirk’s shop, it includes a deer and stylized Hopi designs; a small piece of turquoise is inlaid flush in the deer’s body. His Navajo wedding basket pin incorporates a small piece of copper to symbolize the red band in traditional wedding baskets.
Willie Yazzie made the overlay bolo at Dean Kirk’s shop, it includes a deer and stylized Hopi designs; a small piece of turquoise is inlaid flush in the deer’s body. His Navajo wedding basket pin incorporates a small piece of copper to symbolize the red band in traditional wedding baskets.
Hallmarked belt buckle by Willie Yazzie, 1950s, with appliquéd Pueblo bird design utilizes more background, or negative space, than design.
Hallmarked belt buckle by Willie Yazzie, 1950s, with appliquéd Pueblo bird design utilizes more background, or negative space, than design.
Back of the Pueblo bird belt buckle above showing Willie Yazzie’s hallmark.
Back of the Pueblo bird belt buckle above showing Willie Yazzie’s hallmark.

According to Social Security records, Willie A. Yazzie was born at Chinle, Arizona in 1928. His son says he learned silverwork at Dean Kirk’s trading post in Manuelito in the early 1950s, and created his touchmark (or hallmark) no later than 1960, and after that time his pieces made at Dean Kirk’s would have included his gourd dipper hallmark. His designs often incorporated animal figures such as roadrunners or Navajo designs including Yeis and Father Sky. He never added “tamp work,” or a textured pattern to the background designs.

Bracelet with appliqué swirl design made by Navajo silversmith Willie Yazzie for trader Dean Kirk.
Bracelet with appliqué swirl design made by Navajo silversmith Willie Yazzie for trader Dean Kirk.

In 1960 Ansel Hall, concessionaire at Mesa Verde National Park, was looking for a silversmith to demonstrate at the park during the summers months, Dean Kirk recommended Willie Yazzie and he was hired by Hall. Willie worked at Mesa Verde in the summers from 1960 to 1983, except for 1965 when he was sick. Yazzie created a special hallmark to denote pieces he made at Mesa Verde. The mark depicts Square Tower House, a ruin within the park, and was included with his gourd dipper mark during the summers of 1960-1964 and 1966-1983.

This salt spoon was made by Willie Yazzie while he worked at Mesa Verde National Park during the summers of 1960-1983, as indicated by the hallmarks on the back. Courtesy Bille Hougart.
This salt spoon was made by Willie Yazzie while he worked at Mesa Verde National Park during the summers of 1960-1983, as indicated by the hallmarks on the back. Courtesy Bille Hougart.
Hallmarks on the back of the salt spoon above by Willie Yazzie includes his medicine dipper touchmark and the Square Tower House mark for work made at Mesa Verde National Park. Courtesy Bille Hougart.
Hallmarks on the back of the salt spoon above by Willie Yazzie includes his medicine dipper touchmark and the Square Tower House mark for work made at Mesa Verde National Park. Courtesy Bille Hougart.
Another image of Willie Yazzie’s gourd dipper hallmark with the Square Tower House mark for work made at Mesa Verde National Park. Courtesy Bille Hougart.
Another image of Willie Yazzie’s gourd dipper hallmark with the Square Tower House mark for work made at Mesa Verde National Park. Courtesy Bille Hougart.

Willie A. Yazzie died in 1999, but his family, including his widow, daughter and Willie Jr continue the tradition of Willie’s overlay work. Willie Jr said that his sister has most of their father’s tools and stamps, and that she still uses the gourd dipper mark. Willie uses mostly his initials as his hallmark, but doesn’t do much silverwork anymore, he is retired from the National Park Service where he was a ranger at Canyon de Chelly. Willie, who lives in Chinle, said his sons do a little silversmithing, but that they are busy and don’t have much time for it.

Overlay pin by Willie Yazzie. Courtesy Karen Leblanc.
Overlay pin by Willie Yazzie. Courtesy Karen Leblanc.

Originally published on our Goodreads.com blog July 20, 2018.